Filmmaker Anne Makepeace explains the difference between tribal and state court systems.

In Tribal Justice, two Native American judges reach back to traditional concepts of justice in order to reduce incarceration rates, foster greater safety for their communities, and create a more positive future for their youth. By addressing the root causes of crime, they are modeling restorative systems that are working. Mainstream courts across the country are taking notice.

"Everybody that I’ve asked, nobody remembers his last name."

Filmmaker Cecilia Aldarondo discusses the exploration of forgiveness in her film, Memories of a Penitent Heart.

"Get that crucifix off of him. It's killing him."

"Michael and I had a relationship from '75 till '87."

Filmmaker Cecilia Aldarondo discusses the role of Puerto Rico in her film, Memories of a Penitent Heart.

Filmmaker Cecilia Aldarondo explains the premise of her film, Memories of a Penitent Heart

Filmmaker Cecilia Aldarondo suspected that there was something ugly in her family's past. Memories of a Penitent Heart excavates a buried conflict around her uncle Miguel's death at a time when having AIDS was synonymous with sin. As she searches for Miguel's partner decades later, the film – both a love story and a tribute – is a cautionary tale of how faith is used and abused in times of crisis.

Filmmaker Kahane Cooperman discusses the significance of Joe's Violin.

Filmmaker Kahane Cooperman discusses how the radio instrument drive chose Brianna's school.

The three brothers eat a meal together and recall how they procured food while in hiding in the cave. Bubi retells a version of history that is different than Emmanuel’s memory. The brothers explore if absolute truth is relevant to history and the role of stories and legend.

This clip is the opening scene of the film. We meet each brother as an older man and hear in his own words his memory of the Holocaust and the cave and their reasons for returning to Italy some 70 years later to retrace their survival during World War Two.

Tamar Tal Anati explains how the three brothers in Shalom Italia each have a different perspective and understanding of the truth when remembering the past.

The three brothers drive in Tuscany and talk about the experience of being in the cave. Emmanuel, the eldest, has a strong memory of hunger, running out of food and having only sardines to eat. One third of a sardine per person per day was the ration. The story of salty sardines sparks Bubi’s memory of sardines and leads him to realize why he couldn’t stand to eat sardines as an adult.

The brothers return to see their childhood home in Campoli from where they were forced to flee. They share memories of their father planting four Cypress trees, now full grown, in their garden - one for each of his sons. They also recall the night of their escape. While unable to enter the home, walking amidst the grounds each brother quietly experiences his connection to memory and place.

In the Oscar-nominated Joe's Violin, a donated musical instrument forges an improbable friendship. 91-year-old Holocaust survivor Joe Feingold and 12-year-old Bronx school girl Brianna Perez show how the power of music can bring light in the darkest of times, and how a small act can have a significant impact.

In Shalom Italia, three Italian Jewish brothers set off on a journey through Tuscany, in search of a cave where they hid as children to escape the Nazis. Their quest, full of humor, food and Tuscan landscapes, straddles the boundary between history and myth – a profound, funny, and endearing exploration of individual and communal memory.

Presenting Princess Shaw director Ido Haar talks about YouTube's role in the film.

Ido Haar explains what his film Presenting Princess Shaw means to him.