Following Sean: Filmmaker Interview with Ralph Arlyck
Arlyck talks about the similarities and differences between himself and his subject Sean and, ultimately, between the Baby Boomer generation and Generation X.
My Country, My Country: Filmmaker Interview
Filmmaker Laura Poitras talks about why she was fortunate to find her subject, Dr. Riyadh, the contradictions of invading a country to establish democracy and the making of her Academy Award-nominated film, My Country, My Country.
The Boys of Baraka - Filmmaker Interivew
Ewing and Grady talk about how their film became a mission when the alternative school they were profiling closed its doors.
Interview with Roger Weisberg (2006)
Filmmaker Roger Weisberg talks about making WAGING A LIVING (POV 2006), a documentary about America's working poor. Weisberg talks about how he has found the unique characters he champions in his work. (This is a rough cut from the POV archives.)
Kokoyakyu: Trailer
In Japan, baseball is not a pastime it's a national obsession. Following two teams and their dedicated coaches, Kokoyakyu: High School Baseball take viewers inside a world where baseball becomes a proving ground for life's challenges.
Darger's Improving Art Technique
The third clip associated with the "In the Realms of the Unreal": The Artist and Society lesson plan sees Henry Darger's story grew increasingly complex as he improved his art technique. Students should discuss how did Darger use popular (borrowed) images in his work. They can also create collages that re-tell Darger's narrative (or students' own story), in the visual language of urban New York.
Darger's Use of Ephemera
In the second clip associated with the "In the Realms of the Unreal": The Artist and Society lesson plan, Henry Darger's neighbors and acquaintances talk about his collection of newspapers and ephemera that he used in his artwork. Students should consider the fact that the use of images from the advertising media of his time gives Darger's work a "look" that ties it to a time period.
Darger's Brave Little Girls
Henry Darger had a difficult childhood that influenced his views on good and evil. The second clip associated with the "In the Realms of the Unreal": Good and Evil lesson plan demonstrate Darger's faith in Christianity and in the bravery of little girls. These are Darger's forces of "good" who do battle against the forces of "evil."
The Vivian Girls
Henry Darger had a difficult childhood that influenced his views on good and evil. The third clip associated with the "In the Realms of the Unreal": Good and Evil lesson plan shows the beauty of the Vivian girls and the innocence of the other children juxtaposed with the violence and pain inflicted on them by the Glandelinian soldiers.
Darger Moves to an Asylum
Henry Darger had a difficult childhood that influenced his views on good and evil. The first clip associated with the "In the Realms of the Unreal": Good and Evil lesson plan shows Darger's move from the Mission of Our Lady of Mercy to the Lincoln Asylum for Feeble-Minded Children. Students should examine good and evil, and recognize the complexities in life that make choices more challenging.
In the Realms of the Unreal: Darger's Working Technique
Learn more about Henry Darger's artistic technique profiled in 'In the Realms of the Unreal.'
Developing the Darger Technique
The first clip associated with the "In the Realms of the Unreal": The Artist and Society lesson plan shows how in 1909, Henry Darger started illustrating his fantasy world using techniques he devised through trial and error. Students should discuss why an artist might borrow an image from an existing picture, illustration or photo.
Chisholm '72: Trailer
In 1968, Shirley Chisholm becomes the first black woman elected to Congress. In 1972, she becomes the first black woman to run for president. Shunned by the political establishment, she's supported by a motley crew of blacks, feminists, and young voters. Their campaign-trail adventures are frenzied, fierce and fundamentally right on!
Chisholm '72: Filmmaker Interview with Shola Lynch
Filmmaker Shola Lynch talks about her 2005 POV film, Chisholm '72, and her wish that the film will be a springboard for discussion about democracy, particularly amongst children whose ideas about democracy are still being formed.
The Lost Boys of Sudan: Filmmaker Interview
Filmmakers Megan Mylan and Jon Shenk talk about the making of Lost Boys of Sudan. Mylan says that she hopes the film will encourage viewers to ask immigrants why they moved to this country.
Every Mother's Son: Filmmaker Interview
Filmmakers Kelly Anderson and Tami Gold on the making of their film Every Mother's Son.
Farmingville: Filmmaker Interview
Filmmakers Catherine Tambini and Carlos Sandoval talk about how Farmingville, their film about immigrants on Long Island, is about the making of America. Sandoval explains that he was surprised by the amount of hate that is already out there against Latinos.
Love and Diane: Filmmaker Interview with Jennifer Dworkin
Filmmaker Jennifer Dworkin talks about the making of' Love & Diane.' She says that depression, despair and anger are huge currents in the lives of this family.
Georgie Girl: Filmmaker Interview
Filmmaker Annie Goldson talks about the making of Georgie Girl, and why she thinks that Georgina's story is an encouraging parable for our times.
How have things changed since Two Towns of Jasper?
Williams and Dow reflect on what's changed since Two Towns of Jasper was filmed and premiered on POV in 2003.
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