Give Up Tomorrow: The Verdict
In this clip from 'Give Up Tomorrow,' a verdict is finally reached in the controversial "Chiong Seven" case which exposed much corruption in the Filipino judicial system.
Give Up Tomorrow: Filmmaker Interview
Filmmakers Michael Collins and Marty Syjuco discuss the making of 'Give Up Tomorrow,' challenges they faced with filming a subject on death row, and the ethics involved in telling a story that hits close to home.
Give Up Tomorrow: Judge Ocampo Found Dead
In this deleted scene from 'Give Up Tomorrow,' Judge Ocampo, the judge who presided over the Chiong case, is found dead in a hotel a few years after the trial.
Give Up Tomorrow: Searching the Farm
In this deleted scene from 'Give Up Tomorrow,' authorities show up unannounced at the Larrañaga farm to search for evidence that can be used in the Chiong case.
Give Up Tomorrow: Q&A in the Philippines
Filmmakers Michael Collins and Marty Syjuco talk with the audience after the premiere of 'Give Up Tomorrow' in the Philippines.
El Velador (The Night Watchman) - Trailer
From dusk to dawn, 'El Velador' accompanies Martin, a guard who watches over the extravagant mausoleums of some of Mexico’s most notorious drug lords. In the labyrinth of the cemetery, this film about violence without violence reminds us that, amid the turmoil of a drug war that has claimed more than 50,000 lives, ordinary existence persists in Mexico and quietly defies the dead.
El Velador: Los Jardines del Humaya Cemetary
Every night, Martin watches over the mausoleums of some of Mexico's most notorious drug lords in Los Jardines del Humaya cemetary.
El Velador: Filmmaker Interview with Natalia Almada
Acclaimed filmmaker Natalia Almada, whose 'El General' and 'Al Otro Lado' both premiered on POV, talks about the making of her new documentary 'El Velador.' She describes the conception of the film, her aesthetic choices, and her creative production process which culminated in a visually beautiful, cinematic film about violence without any violence in it.
I'm Carolyn Parker - Trailer
Jonathan Demme’s portrait of post-Katrina New Orleans tells the story of Carolyn Parker, a lifelong resident of the Lower Ninth Ward, who is fighting for the right to rebuild her home and community.
I'm Carolyn Parker: Q&A with Producer Daniel Wolff
After a screening at the Brooklyn Museum, producer Daniel Wolff talked about 'I'm Carolyn Parker' and took questions from the audience.
I'm Carolyn Parker: Filmmaker Interview with Jonathan Demme
Jonthan Demme talks with POV about the subject of his portrait documentary 'I'm Carolyn Parker: The Good, the Mad, and the Beautiful.' The film follows Carolyn as she tries to rebuild and stand her ground for the Lower Ninth Ward of New Orleans which was devastated by Hurricane Katrina. Demme discusses the filmmaking techniques he used to make the story both personal and universal.
I'm Carolyn Parker: Grandmother’s Cooking
Carolyn remembers her grandmother's home cooking in Louisiana.
I'm Carolyn Parker: First Encounter With Segregation
Carolyn, who was fair as a child, remembers her first encounter with segregation on a bus with her grandmother.
I'm Carolyn Parker: Reaction to Katrina
Carolyn explains how thankful she was for still having her house after Katrina.
I'm Carolyn Parker: Mother's Dresses
Carolyn remembers how she used to make dresses for her mother when she was young.
I'm Carolyn Parker: They Heard Me
Carolyn remembers addressing a committee concerning the rebuilding efforts after Hurricane Katrina.
I'm Carolyn Parker: No Recipes
Carolyn explains why she never used recipes as a cook, and then as a licensed chef.
Steam of Life - Preview
See how a sauna provides a place for Finnish men to sweat out far more than the grime of contemporary life. 8/16/2012
Sin País - Trailer
Winner of a Student Academy Award®, 'Sin País (Without Country)' explores one family’s complex and emotional journey involving deportation.
Sin País: Filmmaker Interview with Theo Rigby
Theo Rigby discusses the impact of immigrant policy in the United States, and how his photography background influences his filmmaking aesthetic.
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