The clip starts with Patrick saying, “In the evenings, three nights a week.” It ends with Alena saying, “It doesn’t exist in most parents’ lives.”

Six months after The Overnighters premiere, director Jesse Moss followed up with Jay Reinke.

A look behind the scenes as StoryCorps animation team the Rauch Brothers meet the real live Theresa Burroughs and create A More Perfect Union.

Filmmaker Jesse Moss discusses the making of his film, The Overnighters

Chasing the American dream, thousands of workers flock to a North Dakota town where the oil business is booming. But instead of well-paying jobs, many find slim work prospects and a severe housing shortage. Pastor Jay Reinke converts his church into a makeshift dorm and counseling center, allowing hundreds of men to stay despite the congregation's objections and neighbors' fears.

This clip from The Overnighters begins with pictures of traffic congestion. It ends with the pastor acknowledging that neighbors fear one of the men could “hurt their child.”

The clip begins with a graphic reading, “Many new arrivals have nowhere to sleep.” It ends with the pastor admitting that the congregation never really planned to house the overnighters and saying, “That’s probably one of the chief criticisms I have to bear.”

The clip begins with the pastor sweeping up broken glass from the parking lot. It ends with church member Shelly Schultz saying, “This is not my home anymore, you know? And it’s … it’s very difficult.”

This clip from 'The Overnighters' begins with pastor Jay Reinke waking up men who have been sleeping in the church. It ends with the pastor saying, “We have people literally walking up to our door from all over the world saying, ‘Can you help me?’”

This clip from Out in the Night, along with "Injury According to the Defense" demonstrate the presentation of “facts” in an adversarial court system, and how each side depicts the same events differently.

This clip from Out in the Night, along with "Injury According to the Prosecution" demonstrate the presentation of “facts” in an adversarial court system, and how each side depicts the same events differently.

In this clip from Out in the Night, the women raise the issue of who is and isn’t allowed to defend themselves.

In this clip from Out in the Night, the events on the night of the arrest are told from video surveillance cameras with commentary by lawyers and voice over from trial transcripts.

This clip focuses on the way various media sources reported the events in Greenwich Village in 2006.

Filmmaker blair dorosh-walther discusses the making of her film, Out in the Night

In New York City, a group of African-American lesbians were violently threatened by a man on the street. The women fought back and were later charged with gang assault and attempted murder. Out in the Night examines the sensational case and the women's uphill battle, revealing the role that race, gender identity and sexuality play in our criminal justice system.

In this clip from Out in the Night, the events on the night of the arrest are told directly by the defendants and also, via trial transcript, in the words of the “victim.”

POV (a cinema term for "point of view") is television's longest-running showcase for independent non-fiction films. Since 1988, POV has presented over 365 films to public television audiences across the country. POV films are known for their intimacy, their unforgettable storytelling and their timeliness, putting a human face on contemporary social issues.

POV, American television's longest?running showcase for independent nonfiction films, is taking a bold leap into new forms of storytelling with the launch of six new interactive shorts.

Taking full advantage of all opportunities and resources to gain knowledge can make all the difference. This clip is part of All the Difference Student Handbook.”