Matthew Leininger introduces Mark Landis' art forgery.

Mark goes in to a health facility for a check up, and then explains his practice of forging famous and historic art pieces.

Mark talks about his dream of being a priest and his way of making that dream a reality.

Mark talks about his parents and how he got started forging artwork.

*Content warning: This video discusses sexual assault* The voices of many undocumented youth who feel at home but also isolated and alone in the United States often go unheard. Meet Melissa, a young undocumented woman confronting trauma through self-expression and dance.

In a community where silence is seen as necessary for survival, immigrant activist Angy Rivera joins a generation of Dreamers ready to push for change in the only home she’s ever known — the United States.

Noriko is working on her illustrations at the studio. The following clip contains animations and illustrations with nudity.

Noriko returns to the studio to continue the Cutie series.

A view of Shuhei's gallery, where Ushio and Norkio's works are displayed. The following clip contains animations and illustrations with nudity.

Noriko describes the relationship between her art and Ushio. The following clip contains animations and illustrations with nudity.

Ushio completes a boxing painting as Noriko photographs him.

Shuhei agrees to show Norkio's art alongside Ushio's at the gallery. The following clip contains animations and illustrations with nudity.

Noriko describes her experiences as a young artist.

Point and Shoot follows Matt VanDyke, who left home in Baltimore in 2006 and set off on a self-described “crash course in manhood”. He bought a motorcycle and a video camera and began a three-year, 35,000-mile motorcycle trip through Northern Africa and the Middle East. When revolution broke out in Libya, he joined in the fight against Muammar Gaddafi and spent six months in solitary confinement.

Aya describes how her experience changed her relationship with men, including her father.

The clip begins with Aya saying she can’t forget her pain. It ends after Aya says, “When my heart remembers, I hit this child.”

An excerpt from a news story describes the human trafficking of impoverished Cambodians to slave conditions in Malaysia and Thailand.

Aya describes her situation in Malaysia, where she was held prisoner by her boss and raped by a stranger when she tried to escape.

Aya and her mother argue. Aya's mother berates her daughter for returning from Malaysia with a child. The argument contains strong language.

Filmmaker Guillaume Suon discusses the making of the POV documentary The Storm Makers.