Filmmaker Shosh Shlam and Hilla Medalia discuss the making of Web Junkie.

The clip begins with a shot of teens playing games at an Internet cafe. It ends with teens marching and chanting at the Daxing Boot Camp at the Beijing Military Hospital.

Filmmaker Stephanie Wang-Breal discusses the making of the POV documentary Tough Love.

What makes a good parent? How do you prove you are responsible after you've been deemed unfit? Having lost custody of their children to Child Protective Services, two parents- one in New York City and one in Seattle- fight to win back the trust of the courts and reunite their families in Stephanie Wang-Breal's moving film.

The clip starts with the court clerk saying, “Calling FTC number...” It ends with Patrick saying, “Every day gets better for me.”

This clip starts with a “Seattle, Washington” title card and a look inside a Family Treatment Court session. It ends with Judge Clark saying, “All that stuff needs to start to happen.”

The clip starts with Patrick saying, “In the evenings, three nights a week.” It ends with Alena saying, “It doesn’t exist in most parents’ lives.”

This clip starts with the court clerk announcing, “All right, let’s go ahead and do the check-in hearing for Patrick Brown, FTC number 144.” It ends with Patrick saying, “This is the love I get?”

The clip starts with Hannah saying, “Three years ago, I had to call the police on my ex- boyfriend Sammy.” It ends with Hannah saying, “I didn’t know what it was like to be a mother.”

This clip begins with Ms. Braxton saying, “Hello, Ms. Siddique.” It ends with Hannah saying, “But it’s not like that now. I’ve got Philly and we take care of the kids together.”

This clip starts with Patrick saying, “Natalya’s mother not in the picture.” It ends with Patrick saying, “I had a relapse after four years of sobriety.”

Six months after The Overnighters premiere, director Jesse Moss followed up with Jay Reinke.

A look behind the scenes as StoryCorps animation team the Rauch Brothers meet the real live Theresa Burroughs and create A More Perfect Union.

Filmmaker Jesse Moss discusses the making of his film, The Overnighters

Chasing the American dream, thousands of workers flock to a North Dakota town where the oil business is booming. But instead of well-paying jobs, many find slim work prospects and a severe housing shortage. Pastor Jay Reinke converts his church into a makeshift dorm and counseling center, allowing hundreds of men to stay despite the congregation's objections and neighbors' fears.

This clip from The Overnighters begins with pictures of traffic congestion. It ends with the pastor acknowledging that neighbors fear one of the men could “hurt their child.”

The clip begins with the pastor sweeping up broken glass from the parking lot. It ends with church member Shelly Schultz saying, “This is not my home anymore, you know? And it’s … it’s very difficult.”

The clip begins with a graphic reading, “Many new arrivals have nowhere to sleep.” It ends with the pastor admitting that the congregation never really planned to house the overnighters and saying, “That’s probably one of the chief criticisms I have to bear.”

This clip from 'The Overnighters' begins with pastor Jay Reinke waking up men who have been sleeping in the church. It ends with the pastor saying, “We have people literally walking up to our door from all over the world saying, ‘Can you help me?’”

This clip from Out in the Night, along with "Injury According to the Defense" demonstrate the presentation of “facts” in an adversarial court system, and how each side depicts the same events differently.