Filmmaker Kirsten Johnson explores what it means to document someone else's pain.

This clip starts at 19:34 min. with Kang Gye-Yeol bathing her husband and ends at 23:58 min. with a view of the river.

Johnson's driver informs her that journalists need a permit to shoot video of the prison – a permit they don't have. So they plan to say they are making an movie for entertainment, which doesn't need a permit. But their subterfuge raises the suspicion of soldiers and we're left to wonder if the driver is arrested.

Syrian dissident, Charif Kiwan, speaks to a university audience about the ethics of showing the violated, dead bodies of the victims of war or atrocities. When he asserts that showing graphic images is just about making money, a student challenges him with an example where a powerful image of a dead child turned the tide of public sentiment.

Prosecuting attorney, Guy James Gray, describes evidence he prepared in the James Byrd case. Byrd, a Black man in Jasper, TX, was chained to a pick-up truck and dragged to death by two white men. To avoid showing graphic photos in open court, Gray's team prepared a book of photos for the jury. In the clip, Gray describes some of the book's content.

Johnson is shooting footage of her mother, who is identified as being in early stages of Alzheimer's. When Johnson asks her mother if it's okay to film, her mother seems lost in another reality and never actually gives an answer. If this was a courtroom, her mother would likely be judged not competent enough to stand trial.

This clip starts with Kang collecting clothes and ends with Kang looking at the fire.

This clip starts at 46:25 min. with a view of snowy fields and ends at 50:50 min. with Kang saying, "Stay strong, even if it gets a bit cold."

89-year-old Kang Gye-Yeol and 98-year-old Jo Byeong-Man are married and have lived together for 76 years. While Kang and Jo spend every day like a newlywed couple, they now must face the reality of their aging romance. My Love, Don't Cross that River captures the fleeting moments of their twilight days.

As a counterpoint to Lea's story, we meet Lerma, who has had seven children and who has chosen to undergo a tubal ligation to prevent future pregnancies. She jokes about being like a virgin again or being able to be promiscuous because she can't get pregnant. She also talks about having so many kids that she can't give love to them all.

Director Mike Day discusses food contamination & the interconnectivity of climate change.

Filmmaker Ramona Diaz explains what makes Fabella Hospital unique.

Filmmaker Ramona Diaz on how Kangaroo Mother Care is used in a Filipino maternity ward.

Director Mike Day recounts filming in harsh conditions with complicated logistics.

Filmmaker Ramona Diaz discusses the challenges of family planning education.

Mike Day on the complexities of whale hunting & food sustainability in the Faroe Islands.

Director Mike Day discusses the dangers of being disconnected from nature.

We see a counselor discussing birth control options with a couple of different mothers. Options are determined by circumstance. Women with only one child are not permitted to choose tubal ligation, and pills or injections are contraindicated for women who are breastfeeding. IUDs are recommended to several women. One young woman resists because her mother opposes birth control. Another expresses fe

Visiting fathers hold their babies against their bodies, a method for keeping the premature infants warm because the hospital doesn't have incubators. They talk about the expenses of having a sick baby and their lack of basics at home, like electricity and running water.

The clip provides an initial feel of hospital conditions and introduces Lea. The clip also shows that patients are expected to provide their own blankets in the hospital.