Filmmakers Judith Ehrlich and Rick Goldsmith talk about parallels between the Vietnam War and the wars in Afghanistan and Iraq, the importance of the press, why Daniel Ellsberg is such a compelling character and more.

2010 Oscar Nominee - Best Documentary Feature: In 1971, Daniel Ellsberg, a leading Vietnam War strategist, concludes that America's role in the war is based on decades of lies. He leaks 7,000 pages of top-secret documents to The New York Times, a daring act of conscience that leads directly to Watergate, President Nixon's resignation and the end of the Vietnam War.

Filmmaker Laura Poitras talks about making "The Oath" in Yemen and Guantanamo, what drew her to work in the midst of Al Qaeda operatives, what she thinks of Abu Jandal, the slippery and complex character at the heart of her film and more.

"The Oath" interweaves the stories of Abu Jandal, Osama bin Laden's former bodyguard, and Salim Hamdan, a prisoner at Guantanamo facing war crimes charges. Directed by Laura Poitras, "The Oath" unfolds via a narrative rife with plot twists and betrayals that ultimately leads to 9/11, Guantanamo and the Supreme Court.

U.S. military lawyer Brian Mizer talks about the case of Salim Hamdan, the former driver of Osama bin Laden.

The pre-trial phase of terrorist suspect Salim Hamdan's military tribunal begins at Guantanamo. Hamdan's military lawyer, Brian Mizer, talks to the press about Hamdan's defense and his case.

A military jury sentences terrorist suspect Salim Hamdan to time served, plus five months. This is a more lenient sentence than most observers expected. Hamdan's defense attorneys talk about his case at a press conference.

Prisoner Salim Hamdan is shown on grainy video footage from a jail cell in Afghanistan in November 2001. Seventeen months later, Hamdan is imprisoned in Guantánamo and writes a letter to his brother-in-law.

In this clip from "In the Matter of Cha Jung Hee," filmmaker Deann Liem Borshay talks about the historical events in Korea that shaped her destiny as a Korean-born adoptee sent to America during the 1960s.

Filmmaker Deann Liem Borshay talks about her birth mother's history of struggle in Korea. After the Korean War, Borshay's mother was left with 5 small children and no husband or means of supporting her family. Borshay explains that any anger she has for her birth mother was mitigated after she heard the story of her situation.

Filmmaker Deann Borshay Liem talks about the making of "In the Matter of Cha Jung Hee," walking in somebody else's shoes and more.

Her passport said she was Cha Jung Hee. She knew she was not. So began a 40-year deception for a Korean adoptee who came to the United States in 1966. Told to keep her true identity secret from her new American family, the 8-year-old girl quickly forgot she had ever been anyone else. But why had her identity been switched? And who was the real Cha Jung Hee?

In this clip from "Off and Running," Avery writes a letter to her birth mother hoping to receive on in return. She fears she will not, and her parents and siblings help her feel reassured about her decision.

Avery invites her new friends over for dinner, and they help her learn more about the black community where she lives. She begins to see a rift growing in her personal life with her family and with her friends.

Avery meets up for lunch with some old school friends and talks about life at her new high school. She talks about what it was like to be the only black child in her class when she was younger.

In this clip from "Off and Running," Avery leaves home after her search for her birth family puts a strain on her relationship with her parents. Both Avery and her parents have a hard time dealing with the situation and their lack of contact.

Filmmaker Nicole Opper and producer Sharese Bullock talk about "Off and Running," a coming-of-age tale about Avery Klein-Cloud, a teenage adoptee with who lives in Brooklyn with two Jewish moms and two adopted brothers. The film follows her search for her birth family and her identity.

"Off and Running" tells the story of Brooklyn teen Avery, a track star with a bright future. She is the adopted African-American child of white Jewish lesbians. Her older brother is black and Puerto Rican and her younger brother is Korean. Though it may not look typical, Avery's household is like most American homes - until Avery writes to her birth mother and the response throws her into crisis.

The Sadowskys see a counselor who specializes in families who have adopted transracially. They tell the counselor of some of the tough questions that Faith has been shooting at them, but in the end Faith says that she feels more American now than Chinese.

After spending two weeks in America, Faith begins acting out and becomes frustrated with adjusting to a new life in a new country. She says many times that she does like life in America and wants to go back to China.