In this clip from 'Give Up Tomorrow,' Rusia becomes a controversial state witness for the Chiong case.

In this clip from 'Give Up Tomorrow,' a verdict is finally reached in the controversial "Chiong Seven" case which exposed much corruption in the Filipino judicial system.

In this deleted scene from 'Give Up Tomorrow,' authorities show up unannounced at the Larrañaga farm to search for evidence that can be used in the Chiong case.

Filmmakers Michael Collins and Marty Syjuco talk with the audience after the premiere of 'Give Up Tomorrow' in the Philippines.

In this deleted scene from 'Give Up Tomorrow,' Judge Ocampo, the judge who presided over the Chiong case, is found dead in a hotel a few years after the trial.

From dusk to dawn, 'El Velador' accompanies Martin, a guard who watches over the extravagant mausoleums of some of Mexico’s most notorious drug lords. In the labyrinth of the cemetery, this film about violence without violence reminds us that, amid the turmoil of a drug war that has claimed more than 50,000 lives, ordinary existence persists in Mexico and quietly defies the dead.

Every night, Martin watches over the mausoleums of some of Mexico's most notorious drug lords in Los Jardines del Humaya cemetary.

Acclaimed filmmaker Natalia Almada, whose 'El General' and 'Al Otro Lado' both premiered on POV, talks about the making of her new documentary 'El Velador.' She describes the conception of the film, her aesthetic choices, and her creative production process which culminated in a visually beautiful, cinematic film about violence without any violence in it.

Jonathan Demme’s portrait of post-Katrina New Orleans tells the story of Carolyn Parker, a lifelong resident of the Lower Ninth Ward, who is fighting for the right to rebuild her home and community.

After a screening at the Brooklyn Museum, producer Daniel Wolff talked about 'I'm Carolyn Parker' and took questions from the audience.

Jonthan Demme talks with POV about the subject of his portrait documentary 'I'm Carolyn Parker: The Good, the Mad, and the Beautiful.' The film follows Carolyn as she tries to rebuild and stand her ground for the Lower Ninth Ward of New Orleans which was devastated by Hurricane Katrina. Demme discusses the filmmaking techniques he used to make the story both personal and universal.

Carolyn remembers her grandmother's home cooking in Louisiana.

Carolyn explains how thankful she was for still having her house after Katrina.

Carolyn, who was fair as a child, remembers her first encounter with segregation on a bus with her grandmother.

Carolyn remembers how she used to make dresses for her mother when she was young.

Carolyn explains why she never used recipes as a cook, and then as a licensed chef.

Carolyn remembers addressing a committee concerning the rebuilding efforts after Hurricane Katrina.

See how a sauna provides a place for Finnish men to sweat out far more than the grime of contemporary life. 8/16/2012

Winner of a Student Academy Award®, 'Sin País (Without Country)' explores one family’s complex and emotional journey involving deportation.

Theo Rigby discusses the impact of immigrant policy in the United States, and how his photography background influences his filmmaking aesthetic.