For Opening Night 2010, the New York Philharmonic joined forces with Jazz At Lincoln Center for Wynton Marsalis' Swing Symphony. Wynton Marsalis tells Alec Baldwin what it's like to swing with Alan Gilbert and the Philharmonic.

For Opening Night 2010, the New York Philharmonic joined forces with Jazz At Lincoln Center for Wynton Marsalis' Swing Symphony. Alan Gilbert tells Alec Baldwin what it's like to swing with Wynton and the Jazz At Lincoln Center Orchestra.

Lincoln Center Theate's Tony-winning production of Rodgers & Hammerstein's classic tale of love and prejudice stars Kelli O'Hara and Paulo Szot.

60 years after the original Broadway production, Lincoln Center Theater created the first Broadway revival of Rodgers and Hammerstein's masterpiece South Pacific. Backstage during the intermission of Live From Lincoln Center's broadcast, Alan Alda interviews Lincoln Center Theater's Artistic Director Andre Bishop and stage director Bartlett Sher.

When Lincoln Center Theater's Tony-winning production of Rodgers and Hammerstein's South Pacific came to the end of its run, host Alan Alda sat down with the daughters of the creators to find out what it was like to have a front row seat at the creation of the works that changed the face of musical theater.

When it comes to theater at Lincoln Center, the buck stops with Bernard Gersten. For the intermission of South Pacific, Alan Alda interviews Lincoln Center Theater's Executive Producer about his career and the process of deciding what to bring to the stage.

NY Philharmonic New Year's Eve 2009: Why did baritone Thomas Hampson tell Alec Baldwin to stop eating big bowls of menthol? Sitting down in Hampson's apartment, two artists at the top of their professions talk about Cole Porter, Aaron Copland, and the obligations of a performer to his audience.

Alan Gilbert's first concert with the New York Philharmonic featured Renee Fleming singing Messaien's Poems pour Mi. Alec Baldwin had a great time talking to her at intermission about singing what she loves - and what it was like singing for Alan Gilbert.

There are two kinds of soloists, opines the conductor of the Mostly Mozart Festival. Find out which kind Joshua Bell is: Alan Alda and Louis Langree discuss the history of conducting and the joy of working with Joshua Bell.

Alan Alda hosted the 2009 broadcast of the Mostly Mozart Festival, and his conversation with Joshua Bell at intermission simply sparkled with their friendship and mutual respect for each other's art.

When your boss is Wynton Marsalis, you'd better bring your "A" game to the arranging table! Members of the Jazz At Lincoln Center Orchestra like to make it hot for Wynton and each other when they display their chops.

What's the thought process behind the music of Jazz At Lincoln Center? Wynton Marsalis describes a jazz musician's greatest thrill - empty measures!

Live From Lincoln Center always asks the important questions. For example: Was Toscanini really a tyrant? On the eve of his retirement from the podium of the New York Philharmonic, Lorin Maazel reflects on his style - and that of his predecessors.

Susan Graham, host of Live From Lincoln Center's broadcast of the New York City Opera production of Puccini's Madama Butterfly, explores the working relationship between Broadway's David Belasco and grand opera's Giacomo Puccini.

Does life really imitate art? Susan Graham, host of Live From Lincoln Center's broadcast of the New York City Opera production of Puccini's Madama Butterfly, makes the case. With rare photographs of World War II-era Nagasaki, she tells the tragic real-life story of Tom Glover, son of a Japanese geisha and a Scottish industrialist.

Joshua Bell played Saint Saens, Kreisler and Ravel with the New York Philharmonic on New Year's Eve, 2007; Renee Fleming hosted the broadcast. These two virtuosos explored the meaning of virtuosity at intermission.

A collaboration by Maya Angelou and Wynton Marsalis, "Music, Deep Rivers in My Soul" traces African-American passions and rhythms through the words and music of two treasured artists.

Some choreographers try to uncover the movement in the music. Mark Morris makes dances that ARE music - and he does it without recordings. In this piece, Morris illustrates the difference and tells us how he integrates movement and pure thought.

Why is a dancer not like a tennis player? Choreographer Mark Morris explores bilateral symmetry and the process of working with very smart dancers in this intermission piece from the 2007 Mostly Mozart Festival.

Would you rather be Mozart working for a lousy boss, or a long-suffering employer having to put up with Mozart? Beverly Sills tells us about the tension between the composer and Archbishop Colloredo of Salzburg for the Mostly Mozart Festival of 2006.