Bike Vessel

Independent Lens

Indie Films Series / 8 Seasons

Authentic stories. Extraordinary people.

Watch Latest: S26 E15

1h 22m / TV-14

Sentencing Children: Reforming State Sentencing Laws

5m 14s

A group of Tennessee state legislators, lawyers and judges are trying to prepare a bill that would reform state sentencing laws for juveniles who have committed serious crimes, including Cyntoia Brown of the film Me Facing Life. Tennessee has some of the strictest juvenile sentencing laws in the country. Part of the “Sentencing Children” series originally published by The Tennessean newspaper.

Sentencing Children: Andrea Conte and Victim Advocacy

6m 30s

Former Tennessee first lady Andrea Conte, wife to former Gov. Phil Bredesen, was in 1988 kidnapped and assaulted by a man who would later go on to murder another woman. That experience led Conte to establish the victim advocacy organization You Have The Power. She hopes efforts to reform criminal sentencing rules for juvenile offenders take the experience of victims into account.

Sentencing Children: From Teenage Inmate to Teen Mentor

6m

At 17, Eric Alexander received two 25-year sentences for first-degree murder and aggravated robbery. He was released after serving 10 years and today serves as a mentor for teenagers, after studying developmental psychology. In this short, he talks about the hope that a proposed new juvenile justice reform law could give to those who were incarcerated as youths.

Untold Tales of Armistead Maupin - Armistead in 'Nam - Clip

1m 50s

In this excerpt from the Independent Lens film The Untold Tales of Armistead Maupin, the writer who was once a conservative son of the Old South and would become a gay rights pioneer, reflects on how he came to serve in the Navy while not yet out of the closet. "I volunteered for Vietnam," Maupin says, "because I think I still had some manhood issues going on and I wanted to go to the war."

Real Boy - A Family Thanksgiving, Apart - Clip

2m 49s

In this excerpt from the Independent Lens film Real Boy, trans friends Bennett and Dylan prepare a Thanksgiving dinner together, while Bennett also tries to reach out to his family. He offers to come see them but finds his dad and sister and all of them are in their own ways still really uncomfortable about him.

Real Boy - Trailer

30s

A moving and intimate story of a family in transition, Real Boy follows the journey of trans teen Bennett as he navigates adolescence, sobriety, and the physical and emotional ramifications of his changing gender identity. Through the process, his mother Suzy makes her own transformation — travelling a difficult road toward accepting that the daughter she raised as Rachael is now her son Bennett.

Real Boy - Bennett’s Mom Comes to Support Him - Clip

3m 7s

In this excerpt from the Independent Lens film Real Boy, Bennett enters the hospital for his gender surgery and is both touched and surprised that his mom Suzy came to be with him for support, despite her own reservations. She then gets supportive advice from another mom whose son made the same transition, and who reassures Suzy that Bennett will find the right person for him.

Real Boy - Beard and a Haircut - Clip

1m 1s

In this excerpt from the Independent Lens film Real Boy, trans teenager Bennett talks to friend Joe Stevens, a trans folk singer, about trying to grow a beard and how to groom it when it finally does come. Bennett may just have "one chin hair at the moment" but Joe does give him a nifty new haircut as they talk about how they had "girls' haircuts" forced on them as kids.

Farmer/Veteran - Trailer

30s

Home from three combat tours in Iraq, Alex Sutton forges a new identity as a farmer, hatching chicks and raising goats on 43 acres in rural North Carolina. Farmer/Veteran shows Alex diving into life on the farm with his new love Jessica, while the traumas of war linger on.

Farmer/Veteran - "The Little Dude in Your Brain" - Clip

1m 27s

In this excerpt from the Independent Lens film Farmer/Veteran, Alex Sutton, an Iraq combat veteran with PTSD, spends time with a fellow veteran named Fred Curtis who has a family and who, like Alex, also wants to start his own farm. They talk about the various prescription medications they're on (like Topamax and Fluoxetine), with varying results.

Farmer/Veteran - Shellshock Then and Now - Clip

2m 28s

In this excerpt from the Independent Lens film Farmer/Veteran, Alex Sutton, an Iraq combat veteran with PTSD, reveals that his grandfather suffered from shellshock after the Korean War. Alex has similar issues but says he'll work hard not to show his kids that side. Then, in a moment of panic after talking about memory loss, he almost shoots up the filmmakers' car after forgetting whose it was.

Farmer/Veteran - My "I Don't Kill People" Pills - Clip

2m 4s

In this excerpt from the Independent Lens film Farmer/Veteran, combat veteran Alex goes over all the pills prescribed for physical and mental pain."These are my 'I don't kill people' pills," he says, meds for sleeplessness, anxiety, and numerous other afflictions. It looks like a ton of drugs but, he insists, "it's better than the alternative. Locking me up or sitting on a tower with a rifle."

They Call Us Monsters - Jarad's Victim Speaks - Clip

2m 50s

Jarad Nava is incarcerated for life for four attempted murders and is one of the boys featured in the Independent Lens film They Call Us Monsters, but in this excerpt from the film we get to know Yesenia, a 17-year old girl forever confined to a wheelchair after Jarad shot her in the back in a drive-by shooting. Yesenia doesn't wish him dead but does want Jarad behind bars for 50 years.

They Call Us Monsters - Juan's Unrequited Crush - Clip

1m 55s

In this excerpt from the Independent Lens film They Call Us Monsters, teenager Juan, who is incarcerated for 90 years-to-life for first degree murder, talks about the girl he's had a crush on since kindergarten and may never have a chance to tell her how he really feels given his situation.

They Call Us Monsters - Juvenile Prisoners Write Film - Clip

1m 39s

In this scene from the Independent Lens film They Call Us Monsters, filmmaker Gabe Cowan introduces us to the screenwriting class he teaches to a group of incarcerated teen boys housed at a Los Angeles facility for juveniles tried as adults. While they can't physically leave, they can imagine their stories on screen, and we see a scene from this autobiographical film-within-the-film.

They Call Us Monsters - Trailer

30s

They Call Us Monsters goes behind the walls of the Compound, a high-security facility where Los Angeles houses its most violent juvenile criminals, to follow three young offenders who sign up to take a screenwriting class with producer Gabe Cowan as they await their respective trials. To their advocates, they’re kids. To the system, they’re adults. To their victims, they’re monsters.

Forever Pure - "We Have Arabs in Our Team?" - Clip

1m 50s

In this excerpt from the Independent Lens documentary Forever Pure, Dzhabrail Kadiyev and Zaur Sadayev, two young, Muslim soccer players who were brought over from Chechen to play for Beitar FC in Israel, begin training and are greeted angrily by a rowdy, anti-Muslim group of Beitar fans. "You brought us two Muslims, not football players!" they yell before cursing the players out.

Forever Pure - Beitar's Billionaire Owner - Clip

2m 5s

In this excerpt from the Independent Lens documentary Forever Pure, we meet Arcadi Gaydamak, controversial Russian-Israeli billionaire owner of Israeli soccer team Beitar. Not much of a soccer fan, the team's influence was appealing to someone with designs on becoming mayor of Jerusalem. After Beitar won back-to-back Israeli League championships mayor seemed within his grasp, but was not to be.

Forever Pure - Trailer

30s

The story of how Beitar Jerusalem, the most popular and controversial soccer team in Israel, spiraled out of control after their Russian-Israeli oligarch owner brought two Muslim players from Chechnya onto the team. Forever Pure examines the clash between personal identity, politics, money and sports, exploring how racism has the potential to destroy not only a team but an entire society.

The Prison in Twelve Landscapes - Garbage Jail - Clip

1m 42s

In this excerpt from the Independent Lens documentary The Prison in Twelve Landscapes, Charisse Davidson, a Missouri woman, tells the story of how she came to spend three days in jail for failing to place a lid on her garbage can. She had the choice of paying a steep fine for a ticket she never received, or turn herself in and go to jail.

Supported by