Hear from Jocelyn Bioh, Saheem Ali, Jacob Ming-Trent and more about how they worked to make Shakespeare's comedy resonate with modern audiences.

The cast and creative team of Great Performances: Merry Wives share their favorite lines from the production.

Madame Ford (Susan Kelechi Watson) and Madam Page (Pascale Armand) trick Falstaff (Jacob Ming-Trent) into thinking that he is about to be discovered by Mr. Ford. Meanwhile, Mr. Ford, thinking his wife has been unfaithful, arrives with his friends to try and catch her in the act.

Falstaff (Jacob Ming-Trent) tells Pistol (Joshua Echebiri) about his plan to woo Madam Ford and Madam Page by sending them identical love letters. Pistol, feeling long overlooked by Falstaff, sees his opportunity to enact his revenge.

Watch as Sutton Foster (as Reno Sweeney) and Robert Lindsay (as Moonface Martin) perform the song "Friendship" from Cole Porter's "Anything Goes."

Preview this season of Broadway's Best, featuring "Anything Goes," "Merry Wives," and "Keeping Company with Sondheim."

Listen to star Sutton Foster and director Kathleen Marshall discuss what it took to revive "Anything Goes."

Enjoy this London production of Cole Porter’s classic musical led by Sutton Foster who reprises her Tony-winning role as Reno Sweeney directed by Kathleen Marshall with favorite songs like “I Get A Kick Out of You” and “You’re the Top.”

Sutton Foster and the cast of "Anything Goes" performs the Cole Porter classic, "Blow, Gabriel, Blow."

Watch Sutton Foster and the cast of Anything Goes perform the show-stopping Act 1 finale.

Mezzo-soprano Isabel Leonard stars as the rags-to-riches princess in Laurent Pelly’s storybook staging of Massenet’s “Cendrillon.” Featuring an all-new English translation by Kelley Rourke and conducted by Maestro Emmanuel Villaume, the cast also includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and more.

Mezzo-Sopranos Isabel Leonard and Emily D'Angelo perform as Cinderella and Prince Charming in the Metropolitan Opera's production of "Cinderella." In this aria, the Prince and Cinderella profess their love for one another, only to be torn apart when the clock strikes midnight in this classic tale.

Scott Yoo discovers how American composers are inspired by their immigrant roots today through two composers: Brazilian-born Sergio Assad and Indian American Reena Esmail.

Composer Reena Esmail breaks down the difference between raga and tala in Indian classical music, and how their function compares to scales and rhythms in Western classical music. Host Scott Yoo then gets treated to a performance to illustrate how this works.

Scott Yoo travels to Chicago to learn about the music that shaped Brazilian composer Sergio Assad. Assad explains the history of samba, and how it was musically influenced by Portugal, Africa, and Brazil.

Scott Yoo explores the life and work of Aaron Copland, and how he created the American sound.

Host Scott Yoo and Cantor Daniel Mutlu discuss how Aaron Copland may have drawn inspiration from his Jewish roots and Cantor Mutlu performs "Mipnei Ma," the source material for Copland's "Vitebsk."

Host Scott Yoo and pianist John Novacek discuss Copland's career as a film composer. Copland was a firm believer in "less is more" in terms of scoring, an idea that can be heard in scores today. To demonstrate this, Novacek and the student orchestra at the Colorado College Music festival perform Copland's "Grover's Corner" from the film "Our Town."

Host Scott Yoo and Cantor Daniel Mutlu discuss how Aaron Copland may have drawn inspiration from his Jewish roots and Cantor Mutlu performs "Mipnei Ma," the source material for Copland's "Vitebsk."

From Little Rock to Chicago, host Scott Yoo follows the trail of the great African American composer Florence Price.