American Masters

History Series / 14 Seasons

American Masters, committed to producing comprehensive film biographies about the broad cast of characters who comprise our cultural history.

1h 23m / TV-14

In The Making: Season 2

1m 18s

This documentary shorts series from American Masters and Firelight Media follows emerging cultural icons – creators who bring insight and originality to their craft – on their journeys to becoming masters of their artistic disciplines.

Roberta Flack

35s

American Masters: Roberta Flack follows the music icon from a piano lounge through her rise to stardom. From “First Time Ever I Saw Your Face” to “Killing Me Softly,” Flack’s virtuosity was inseparable from her commitment to civil rights. Detailing her story in her own words, the film features exclusive access to Flack’s archives and interviews with Rev. Jesse Jackson, Peabo Bryson and more.

Clint Eastwood loved "The First Time Ever I Saw Your Face"

2m 42s

When Clint Eastwood first heard "The First Time Ever I Saw Your Face," he found himself "driving off the side of the freeway," according to Roberta Flack. Enamored with the song, the director used it in a pivotal moment in his film "Play Misty for Me," and it subsequently gained new fame.

How Roberta Flack created soul with "getting-togetherness"

2m 43s

Songwriter Les McCann described seeing Roberta Flack perform with all of that "getting-togetherness," referencing the soulful and central quality of Black music. "The concept of soul was really this attempt to recreate what was particular about being Black in America. This experience of struggle and resilience and pride," said author and cultural critic Emily Lordi.

The origin of Flack's hit "Killing Me Softly With His Song"

2m 27s

Roberta Flack discovered Lori Lieberman's "Killing Me Softly With His Song" on a plane from L.A. to New York, and made it her own. "I was not limited to just taking the song off of the page of music," said Flack. After seeing the crowd reaction to her cover of the song while on tour with Quincy Jones, Jones convinced her to record it.

Roberta Flack was a child piano prodigy

2m 9s

Growing up, Roberta Flack was known as a musical prodigy who "could play anything" on the piano. She grew up in the church, where her mother was an organist, and started studying classical piano repertoire at just nine years old.

Groucho & Cavett

1m 44s

Discover the enduring friendship between television personality Dick Cavett and his mentor iconic comedian Groucho Marx. Their relationship is chronicled through interviews with Cavett, archival footage and interviews with George Burns and others.

Groucho Marx roasts Dick Cavett

2m 1s

ABC aired "The Dick Cavett Show" three times a week during primetime, considered an unusual schedule at the time. "In fact, when Groucho came on, he said, 'You know you need a secretary to know when this show is on,'" said Cavett.

What made Groucho Marx a great writer

3m 7s

Groucho was a prolific writer with "a genuine intellect," according to Cavett, despite not finishing public school. His proudest achievement was having a book of his letters published at the Library of Congress.

Dick Cavett's early days of standup comedy

8m 17s

When Dick Cavett first started doing standup, he quickly learned that performing comedy yourself and writing comedy for another person are two very different ventures. In this outtake from "Groucho & Cavett," Cavett reflects on the trial and error in his early days of standup and the lessons he learned along the way.

When Groucho Marx hosted "The Tonight Show"

2m 9s

After Jack Paar left and before Johnny Carson replaced him, "The Tonight Show" had a fleet of guest hosts, including Groucho Marx, who brought on Dick Cavett as one of his writers. "I wondered if he would use anything I wrote," said Cavett of that time.

The Adventures of Saul Bellow

1m 32s

Explore Nobel Prize winner Saul Bellow's impact on American literature and how he navigated through issues of his time, including race, gender and the Jewish immigrant experience. Featuring interviews with Philip Roth, Salman Rushdie and others.

Ernest Hemingway versus Saul Bellow

59s

Ernest Hemingway was the master of the simple, declarative sentence during his time. By contrast, when Saul Bellow came along, he wrote descriptive sentences full of verbal energy. "This was a great shift in the American notion of what a great prose style was," said Philip Roth.

A classic Saul Bellow rant about Chicago

1m 41s

Saul Bellow's novel "The Dean's December," released in 1982, details the blowback a writer faces after publishing an exposé on Chicago's corruption. "You can't live in Chicago without being sharply aware of the presence of this underclass," said Bellow of writing about the city in the 1980s.

Salman Rushdie on Saul Bellow's books

3m 58s

Salman Rushdie talks about some of his favorite Saul Bellow books in this outtake from "The Adventures of Saul Bellow." Rushdie says, "These are some of the great masterpieces of American literature."

Philip Roth talks Saul Bellow in his final interview

8m 38s

In this outtake from "The Adventures of Saul Bellow," Philip Roth describes his friendship with and admiration for Bellow, and he Bellow was a "powerhouse" of an author. "There are very few tools that he couldn't pick up and use," Roth said in the final interview he gave before his death in 2018.

When Buffy Sainte-Marie wrote the "first feminist anthem"

2m 17s

"I always wanna be offering people stuff that they won't get somewhere else," says Sainte-Marie of the song "Until It's Time For You To Go," written from a woman's perspective allowing her lover to leave. Writer Andrea Warner calls the song "the actual first feminist anthem."

The origins of Buffy Sainte-Marie's "Universal Soldier"

2m 9s

The iconic anti-war song "Universal Soldier" was written with the question on Buffy Sainte-Marie's mind: "Who's responsible for war?" In Sainte-Marie's frank answer, we all have an individual responsibility.

How Buffy Sainte-Marie won an Oscar for "Up Where We Belong"

1m 39s

When Jack Nitzsche became stumped while scoring the film "An Officer and a Gentleman," he turned to his friend Buffy Sainte-Marie for help. Buffy played him the melody for her song "Up Where We Belong," which took on "a life of its own." The iconic song eventually went on to win several major awards, including the award for Best Original Song at the 55th Academy Awards in 1983.

Buffy Sainte-Marie brought Indigenous representation to TV

1m 55s

When Buffy Sainte-Marie was asked to play a lead role in the TV series "The Virginian," she also insisted that all of the Indigenous parts be played by Indigenous people—sparking a revolutionary conversation on representation that we are still having today.

Supported by