Hugh Hefner describes his final resting place – right next to Marilyn Monroe.

The late Dick Gregory recalls when he was booked at the Chicago Playboy Club – the first time a black comedian was booked for a white nightclub. Warning: strong language.

Did you know Dick Gregory was the first Black comedian to sit on the couch of “The Tonight Show with Jack Paar?"

Until his death at the age of 106, Tyrus Wong was America’s oldest living Chinese American artist and one of the last remaining artists from the golden age of Disney animation. The quiet beauty of his Eastern-influenced paintings had a pioneering impact on American art and popular culture.

Due to the Chinese Exclusion Act, Tyrus Wong was held in an internment camp at Angel Island in 1920. He was just a child, but remembers the struggle and uncertainty of his time there.

When he began working for Disney, Wong's role was minor and technical. Then, when a supervisor noticed his work, he was asked to create the atmosphere for the film "Bambi." Wong would go on to paint hundreds of pastels that would define the impressionistic, colorful forests throughout the film.

In a new, exclusive interview, filmmakers/artists Robert Kondo and Dice Tsutsumi discuss how Wong influenced them and share an excerpt from their Oscar-nominated animated short The Dam Keeper (2014).

After leaving Disney, Tyrus Wong joined Warner Bros. and began painting scenes based on screenplays. He would continue working for Warner Bros. for 26 years, helping set the stage for thousands of films.

As a young boy, Tyrus Wong came to the United States with his father, but as part of a grueling immigration process, was detained for a month before being allowed into the country.

Tyrus Wong's skillful, inspired painting made its way into homes across America as Chinese Modern home decor became popular. His ceramics featured flowing designs of figures and tranquil scenes in nature.

Tyrus Wong spent years honing a soft, atmospheric painting style that relied heavily on lighting and creative use of color. This unique approach gave "Bambi" its groundbreaking impressionistic style.

On the set of "Everybody Wants Some," Glenn Powell describes the autonomy and creativity Richard Linklater gives actors.

Take a look behind the scenes of "Everybody Wants Some" as Richard Linklater worked with the cast through the early stages of making the film.

Richard Linklater and the cast of "Boyhood" discuss how the film developed over time, year after year. Slacker. Indie filmmaker. Oscar nominee. Writer, director, producer, actor Richard Linklater is all these things and more, a poster boy for the fiercely independent style of filmmaking that emerged out of Austin, Texas in the late 1980s and 1990s.

Visit the set of "Everybody Wants Some" and take a look into the strategy of Richard Linklater's direction. In the six weeks before filming, the entire cast rehearsed together, getting to know their characters and their rapport as a group.

Richard Linklater often worked alone in his early days as a filmmaker, but he was looking for a community. Because of his unstoppable energy, the Austin Film Society was born.

Ellar Coltrane speaks about Richard Linklater's work - his focus on time, reality, and his effort to make films about real people. Slacker. Indie filmmaker. Oscar nominee. Writer, director, producer, actor Richard Linklater is all these things and more, a poster boy for the fiercely independent style of filmmaking that emerged out of Austin, Texas in the late 1980s and 1990s.

Richard Linklater and Matthew McConaughey talk about their collaborative work on Dazed and Confused, and how it inspired the line, "Alright, Alright, Alright."

Editor Sandra Adair and actor Matthew McConaughey talk about Richard Linklater's ability to capture authentic moments on the set of Dazed and Confused. Through his unique directorial approach and his ability to collaborate with the cast, Linklater built stories around the texture of a moment in time.

Jack Black and Richard Linklater talk about the making of "School of Rock" and how they approached studio comedy in a new way.