American Masters

History Series / 14 Seasons

American Masters, committed to producing comprehensive film biographies about the broad cast of characters who comprise our cultural history.

Watch Latest: S39 E1

1h 23m / TV-14

Las pinturas de Orozco fueron destruidas en los EE. UU.

1m 19s

En 1917, José Clemente Orozco dejó México para encontrar un mejor lugar para hacer arte en Estados Unidos. En el camino, Orozco fue detenido en Laredo, Texas, donde los funcionarios objetaron muchas de sus pinturas y las consideraron “inmorales”.

La historia de “Hidalgo y la Independencia Nacional”

1m 50s

Orozco pintó uno de los murales públicos más icónicos de México, que desafió directamente a instituciones veneradas. Su formidable pintura del Padre Hidalgo, el “George Washington de la Independencia Mexicana”, representaba al líder como un profeta empuñando una espada que “purificaba el mundo con derramamiento de sangre”.

La chispa que encendió el interés de Orozco por hacer arte

1m 25s

Cuando era un joven estudiante, José Clemente Orozco quedó cautivado por el trabajo del artista mexicano José Guadalupe Posada. Su labor como ilustrador avivó la imaginación de Orozco y lo “impulsó a llenar el papel con sus primeros pequeños dibujos.”

José Clemente Orozco: Hombre de Fuego (En Español)

40s

La vida de Orozco es una de las grandes historias del arte moderno, repleta de drama, adversidad y logros extraordinarios. Un prodigioso pintor de caballete, Orozco fue, antes que nada, un artista público cuyos grandes logros incluyen murales creados no para mecenas individuales, sino para la sociedad.

José Clemente Orozco: Man of Fire

40s

The life of Mexican muralist José Clemente Orozco (1883-1949), a life filled with drama, adversity and triumph, is one of the great stories of the modern era. Despite poverty, childhood rheumatic fever that damaged his heart and an explosion in his youth that cost him his left hand, Orozco persisted in his wish to become an artist.

The spark that ignited Orozco’s interest in art making

1m 25s

As a young student, José Clemente Orozco was enchanted by the work of Mexican artist José Guadalupe Posada. His work as an illustrator stirred Orozco’s imagination and “impelled [him] to cover paper with [his] first little figures.”

The history behind one of Orozco’s most iconic paintings

1m 50s

Orozco painted one of Mexico's most iconic public murals, which directly confronted revered institutions. His fiery painting of Padre Hidalgo, the “George Washington of Mexican Independence,” depicted the leader as a prophet wielding a sword who was “purifying the world with bloodshed.” The artwork showcases Orozco's unapologetic style, characterized by sharp angles and uncompromising intensity.

How Max Roach fused jazz and hip hop

2m 47s

Max Roach was excited by the premise and promise of rap when it first hit the music scene. Roach was introduced to the genre by his godson and hip hop pioneer Fab 5 Freddy, and would later collaborate with him. "The fact that he saw that vision before it became cool in the early nineties, for you to mix your hip hop and your jazz together, shows how ahead of the curve he was," said Questlove."

Documenting the legacy of drummer Max Roach

2m 28s

Director Sam Pollard was captivated by the life story of drummer and activist Max Roach 35 years ago. "Seeing Max Roach sit behind a drum set, he had a regal quality about him," said Pollard. "And I remember saying, 'Somebody should do a film on Max Roach.'"

How Max Roach created the experimental sound of M'Boom

2m 12s

Max Roach founded M'Boom, a jazz group made up of experimental percussionists. M'Boom was his way of venturing into a more abstract, adventurous sound—including a song that recreated the sounds of a storm through music. "Max was one of the people redefining what the music is gonna be in every decade that he was active," said musician Greg Tate.

Rare footage of Max Roach and Abbey Lincoln's collaboration

25m 51s

In this excerpt from Black Journal originally released on April 27, 1970, drummer Max Roach and singer Abbey Lincoln perform at Norfolk State College in Virginia and share their thoughts on their roles as musicians. The husband and wife duo found it important to emphasize their African American heritage and musical influences.

Cesar Chavez's love of jazz and pachuco culture

3m 27s

Labor leader and civil rights activist Cesar Chavez expressed an interest in music from an early age. He grew up identifying as a pachuco, a young Mexican-American who wore zoot suits and listened to jazz, blues and swing music. "A lot of people have no idea that the leader of the Farm Workers Union was this guy that had this urban soul inside him," said filmmaker Luis Valdez.

How the farmworkers’ movement used concerts to fundraise

3m 40s

Music promoter Jim Cassell organized concerts as fundraisers for the farmworkers’ movement with the likes of Kris Kristofferson, Jerry Garcia, Cheech and Chong, Crosby and Nash, Taj Mahal, Malo, Tower of Power and others. “It was an era when the United Farm Workers Union movement was so supported by everybody, so the bands would perform basically for free," said Cassell.

A Song for Cesar

1m 52s

Trace the life and legacy of labor activist Cesar Chavez. Through interviews with Maya Angelou, Joan Baez, Carlos Santana and more, see how music and the arts were instrumental to the success of the farmworkers’ movement Chavez helped found.

The music of America’s farmworkers

3m 10s

When musician and composer Daniel Valdez first read the poem "Brown-Eyed Children of the Sun," he was reminded of his parents, who were migrant farmers from Mexico. He was inspired to create a bolero, typically a romantic ballad, dedicated to farmworkers and their families.

Peaceful protest with Joan Baez

2m 31s

Members of the farmworkers’ movement were committed to nonviolence amidst danger on the picket lines. Singer-songwriter Joan Baez was one of those peaceful protesters. "I've always been the happiest when I was doing activism and music at the same time,” said Baez. “So that was an obvious place for me to be, with Cesar."

Floyd Abrams: Speaking Freely

2m 20s

Follow the 50-year career of preeminent First Amendment lawyer Floyd Abrams. See how his landmark cases—from the Pentagon Papers to Citizens United to Clearview AI—helped define free speech as it is known today. Join Dan Abrams, Ari Melber, Nina Totenberg and more as they explore how Abrams' career has shaped major changes in law, public discourse and civic action since the 1960s.

The case that protected corporate spending in elections

2m 26s

During the 2008 presidential elections, Citizens United, a conservative non-profit organization, wanted to air a film criticizing then-democratic candidate Hillary Clinton. Although Abrams disagreed with the politics of the film, he argued that Citizens United were within their rights to air the film, declaring that the First Amendment protects independent spending by corporations in elections.

When The New York Times published the Pentagon Papers

2m 22s

The New York Times sought the legal counsel of First Amendment lawyer Floyd Abrams after publishing the Pentagon Papers. The media organization was accused of being disloyal to the country, but Abrams successfully argued that The Times were within their First Amendment rights. The case later became known as a landmark case for protecting press freedom.

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